在傷口及伽療癔康復之後就能重現家的温暖。
犇舞踏於後疫成立，旨在於世態混亂荒唐力以舞聚力自強及洗滌內心，介紹也可以在黯黑扭曲以後仍可存在曙光或生命無限想像的舞踏。犇舞踏演劇場主腦莫穎詩近年致力把舞踏推廣至特殊教育、長幼及傷健社區共融，「姑婆舞踏」就是她跟長者或走近銀齡的主婦發展的一個訓練計劃。
莫穎詩承傳老師Don Conreaux把銅鑼劇場調頻共振世界的願境，及Hans de back 以頌缽音波傳愛的宗旨，這次現場演出中，莫氏的獨舞穿插著樹影婆娑間姑婆們的群舞，也會帶來聲療演奏及梵唱，也誠邀了中爪哇舞蹈大師為姑婆們編作一段簡短面具舞。
After healing from wounds and trauma, the warmth of home can be rediscovered.
Founded in the post-pandemic era, Hurtling Butoh Dance Theatre aims to gather strength and cleanse the soul through dance amidst a chaotic and absurd world. It introduces butoh, a form of dance that conveys the possibility of light and infinite imagination even after darkness and distortion. In recent years, the group’s artistic director, Vinci Mok, has devoted herself to promoting butoh in special education, intergenerational programs and inclusive communities. One of her projects, "Aunties Butoh," is a training program developed with seniors and homemakers approaching silver age.
In this live performance, Mok’s solo dance will intertwine with the group performance of "grannies" dancing gracefully under the shadows of metaphorical trees. The event will also feature sound healing performances and sacred chanting, which are inspired by the vision of her teachers, Don Conreaux, to resonate the world with the therapeutic frequencies of the gong theater, as well as the mission of Hans de Back to spread love through the sound waves of singing bowls.
