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INDIE FOCUS:我在若松製作的日子 Days in Wakamatsu Productions

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星影匯貴賓室7&8 7&8 VIP Lounge, The Metroplex

G/F, E-Max ,Kowloon Bay International Trade and Exhibition Center, 1 Trademart Dr Kowloon Bay

Hong Kong

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我在若松製作的日子 Days in Wakamatsu Productions

主持 Moderator:林家威 Lim Kah Wai

嘉賓講者 Guest Speaker:井上淳一 Junichi Inoue

*入場須同時持有6月1日於星影匯放映《嬰兒偷獵時》+《被侵犯的白衣天使》之門票
*Only ticket holders of the 1 June screening of The Embryo Hunts in Secret + Violated Angels at The Metroplex can be admitted

焦點影人︰若松孝二與足立正生的獨立電影革命
Indie Focus: Koji Wakamatsu & Masao Adachi

年初的香港獨立電影節因資源所限,沒能舉辦焦點導演環節,作為延續,影意志將於六月把若松孝二和足立正生的作品帶給觀眾。

六十年代的日本,是最具革命可能(不只政治,甚至所有文化藝術,包括電影)、也是最獨立和自由的時代,除了一些教科書上熟悉的名字外,說到能反映這個時代的電影人物,不得不談若松孝二和足立正生。隨着資訊發達,21世紀以後歐美學者已經開始認真研究和發掘二人的作品,並重新評價若松製作的作品羣,可惜他們在華語地區仍然是大家陌生的名字。這次的回顧專題,希望可以讓大家重新發現和思考電影所應具有的革命和獨立的可能性。

這次我們特別邀請了日本著名電影評論家、也是研究若松和足立電影的第一人,四方田犬彥來港出席講座;師從若松的井上淳一導演也會來和我們分享他在若松製作的寶貴經驗。還有,被遣返回國後一直無法出境的足立正生,也會在通過網上視像通訊和觀眾交流。

節目詳情:http://hkindieff.hk

Early this year, the Hong Kong Independent Film Festival separated the ‘Indie Focus’ section due to limited resources. Now as an extension, here we bring the works by Koji Wakamatsu and Masao Adachi.

Japan possessed the highest possibility for (political and cultural) revolution in the 1960s. It was the country’s freest and most independent era. Wakamatsu and Adachi are the two quintessential filmmakers of this era. With the advancement of information technology, western scholars have begun to study the work of these two filmmakers and reevaluate the repertoire of Wakamatsu Productions. However, they are still relatively unknown in Chinese-speaking regions. While Hong Kong International Film Festival had screened some of Wakamatsu’s films ten years ago, there was not any sort of in-depth presentation or suitable reading. We hope this current retrospective can help viewers to rediscover and reconsider the possibility of revolution and independence in cinema.

We have invited acclaimed Japanese critic Inuhiko Yomota, a foremost expert in Wakamatsu and Adachi, to present and further the discourse of the two filmmakers’ work. Filmmaker Junichi Inoue, who was mentored by Wakamatsu, will also share his experience working at Wakamatsu Productions. Although Adachi has been unable to leave the country since his repatriation, he will communicate with the audience via online video chat.

Programme Details: http://hkindieff.hk

嘉賓、工作人員簡歷 Guest & Staff Biography

井上淳一 Junichi Inoue

1965年生於日本愛知縣,就讀早稻田大學時就開始就師從若松孝二。1990年首次執導,拍攝松若總導演、監製的短片合集《Panty Hole: Almost Ripe Strawberries, But Not Quite》其中一段。之後編劇多部作品如《陪伴》(2010)、《亞洲的純真》(2011)等。2013執導《戰爭和一個女人》,入選多個海外影展。

Born in 1965 in Aichi Prefecture, Inoue was mentored by Wakamatsu since his study in Waseda University. He made his directorial debut in Panty Hole: Almost Ripe Strawberries, But Not Quite, a short film collection made and produced by Wakamatsu in 1990. Then he continue his career as a screenwriter with works like Partner (2010) and Pure Asia (2011). He also directed A Woman and War in 2013 which brought him to many overseas film festival.

林家威 Lim Kah Wai

1973年生於馬來西亞吉隆坡,畢業於日本大阪大學機電工程系,在東京擔任六年網路工程師後,毅然前往北京電影學院攻讀電影。2004起參與電影製作,擔任翻譯或副導,參與作品有《墨攻》(2006)、《夜·上海》(2007)等。首部長片《其後》(2010)曾入選香港國際電影節及大阪亞洲電影節。其他作品包括《新世界》(2011)、《戀戀南方》(2013)及《愛在深秋》(2016),2018年完成最新作品《No Where, Now Here》。他亦為影意志策劃2014年香港獨立電影節「日本獨立最前線」環節,以及在東京、大阪及名古屋籌辦「日本.香港獨立電影節」。

Born in 1973 in Kuala Lumpur, Malaysia, Lim graduated from the department of electronic engineering at Osaka University in 1998. After working for a foreign telecom company as an engineer for six years, he started to study directing in Beijing Film Academy from 2004 and worked as an assistant director and a coordinator on the sets of several films such as A Battles of Wits (2006) and The Longest Night in Shanghai (2007). He made his feature film debut in 2010 with After All These Years, which was shot in Beijing and was officially screened at Hong Kong International Film Festival and Osaka Asian Film Festival. His other features include New World (2011), Fly Me to Minami (2013) and Love in Late Autumn (2016). He finished his latest film No Where, Now Here in 2018. He also curated ‘Japan Indie Frontline’ for Hong Kong Independent Film Festival 2014 and coordinated ‘Japan Hong Kong Independent Film Festival’ in Tokyo, Osaka and Nagoya.


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星影匯貴賓室7&8 7&8 VIP Lounge, The Metroplex

G/F, E-Max ,Kowloon Bay International Trade and Exhibition Center, 1 Trademart Dr Kowloon Bay

Hong Kong

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