「川龍衫、自己整」工作坊 Chuen Lung Tees DIY workshop

活動詳情 Event Details

講者 Facilitator｜郝立仁 Benjamin Hao

語言 Language｜粵語 Cantonese

費用 Fee｜免費 Free

「著多D就知乜嘢係流行！」

在現代社會中，上班族可以自由選擇自己的工作服裝。藝術家 Benjamin 在訪問川龍村民文哥時，發現文哥於 1980 年代上班時，喜歡穿具時尚及個人氣息的多文 T 恤 ，以展示個人風格，並反映當時的潮流文化。

受到這段故事的啟發，本工作坊將由藝術家 帶領參加者走訪川龍，透過追溯不同川龍人物的流動軌跡，探索川龍與外界在經濟、文化等方面的多重連結。參加者亦會運用步行期間拍攝的照片，親手設計並製作一件屬於自己的 T 恤，將川龍的故事與自己的創意融入其中，為這片土地注入全新的時尚詮釋。

In contemporary society, office workers have the freedom to express their style through their choice of work attire.During an interview with Man Gor, a Chuen Lung villager, artist Benjamin discovered that in the 1980s, Man Gor often wore Dors T-shirts—a style that allowed individuals to print their own images onto the fabric. These T-shirts were more than just expressions of personal taste; they also reflected the fashion and cultural trends of the era.

Inspired by this story, this workshop invites participants to join the artist in exploring Chuen Lung. Through tracing the movements and stories of its residents, the session uncovers the village’s multifaceted connections with the outside world—economically, culturally, and beyond. Guided by their journey, participants will use photographs taken during the walk to design and create their own unique T-shirt, blending the narratives of Chuen Lung with personal creativity to reinterpret the spirit of this place through fashion.

「川龍視覺誌」開放工作室（二）

日期： 二○二五年九月六日至十月十二日

時間： 11:00-18:00

踏上川龍的時間與空間複雜旅程，探索鄉村在傳統與現代交織中的軌跡。通過郝立仁、謝柏齊、童昭安三位藝術家的獨特視角，「川龍視覺誌」開放工作室（二）呈現了一幅川龍過去、現在及未來的動態地圖。從重塑土地的記憶與想像，到記錄1960年代村民的日常生活，再到追溯他們在工作與休閒中的空間流動性，展覽不僅勾勒出鄉村在城市化與現代化過程中的豐富多彩時空畫卷，更是一場深刻反思時間與空間如何塑造社區與身份的旅程。

郝立仁呈獻作品：《迴到川龍》

—— 遷徙、生活的流動性與脈絡

經過在川龍走訪和村民的訪談，發現川龍是個特別的地方。這裡與城市區域很近卻又自成一角，有頗為完整村的面貌和故事承傳的脈絡；自成一角，又與(外面) 香港的各區發展有著千絲萬縷的關係；這個社群，或原居民或居民或恆常過來活動的人，在其遷徙、學習和生活都互相交織著重疊的地區。

來來去去，大家都迴到川龍，我以5 位村民、社區成員的訪談和搜集到的相關資料和相片作為導引，探究川龍自60年代至現在與(外面)的流動性與脈絡，呈現當中微妙的關係和面貌。

“Chuen Lung Visual Research Archive” Open Studio (II)

Date: 6 Sepember - 12 October 2025

Time: 11:00-18:00

Embark on a complex journey through time and space in Chuen Lung, tracing the entangled trajectories of rural life caught between tradition and modernity. Through the distinct perspectives of artists Tse Pak Chai, Tung Chiu On, and Ho Lap Yan, "Chuen Lung Visual Chronicles: Open Studio II" presents a dynamic map of Hong Kong's rural past, present and future. Spanning themes of reimagining land, documenting the daily lives of villagers in the 1960s, and tracing their spatial mobility between work and leisure through and across the village, the exhibition offers more than a vivid portrayal of rural transformations amid urbanization and modernization. It serves as a critical reflection on how temporal and spatial dimensions shape communities and identities.

Benjamin Hao Presents: "Chuen Lung Circling"

Migration, Mobility, and Contexts of Everyday Life

Through site visits and interviews with residents, Chuen Lung emerges as a remarkable site of inquiry. Situated near urban centers yet maintaining a distinct sense of autonomy, the village embodies a cohesive narrative of community life and intergenerational continuity. While it stands apart, Chuen Lung is intricately linked to the broader development of Hong Kong, forming a network of connections that bridges the local and the metropolitan.

This community—comprising indigenous villagers, long-term residents, and recurring visitors—reveals a densely interwoven fabric of migration, education, and daily life. Movement, whether physical or social, flows in and out of Chuen Lung, yet the village remains a constant point of return.

Guided by interviews with five villagers and community members, along with collected archival materials and photographs, this project traces the patterns of mobility and connection between Chuen Lung and the wider world from the 1960s to the present day. It seeks to articulate the subtle relationships and evolving dynamics that define the village’s unique position within broader historical and social contexts.

*「川龍視覺誌」獲香港特別行政區政府「藝能發展資助計劃」的資助“Chuen Lung Storyboard – Visualising a Community and its Cultural Heritage” is financially supported by the Arts Capacity Development Funding Scheme of the Government of the Hong Kong Special Administrative Region*活動內容並不反映香港特別行政區政府的意見The content of this activity does not reflect the views of the Government of the Hong Kong Special Administrative Region