攝影書角 —《風景：在天堂與地獄之間》
Ansel Adams 與 Don McCullin 攝影書分享會

本次分享會由攝影師 尹子聰（Simon Wan） 策劃及主講。尹子聰的風景攝影實踐以觀念性與表演性為方法，視風景為一個可被介入、佔據與重構的場域，而非單純的再現對象。

本次分享會由攝影師 尹子聰（Simon Wan） 策劃及主講。尹子聰的風景攝影實踐以觀念性與表演性為方法，視風景為一個可被介入、佔據與重構的場域，而非單純的再現對象。透過身體行動與場景設定，他探問地方如何承載記憶、身份與權力關係，並引導我們重新思考觀看與建構風景的方式。本次選書亦由他提出，作為對風景攝影歷史與倫理的回應與延伸。

在此框架下，我們回顧兩位看似分立於光譜兩端的重要攝影家：Ansel Adams 與 Don McCullin。透過這兩種觀看方式——崇高與創傷、淨化與殘痕——本次分享會邀請參與者思考：風景如何在影像中被塑造？它如何映照人類對自然、歷史與自身處境的理解？在天堂與地獄之間，風景或許正是我們不斷往返與辯證的場域。

This session is curated and introduced by photographer Simon Wan, whose landscape practice is grounded in a conceptual and performative approach. Rather than treating landscape as a passive subject, Wan engages it as a stage—intervening, inhabiting, and re-framing space to question how meaning, memory, and identity are constructed through place. His perspective sets the tone for this gathering: landscape not merely as scenery, but as a site of philosophy, politics, and presence.

From Simon’s selection, we turn to two towering figures who stand at seemingly opposite poles of photographic history: Ansel Adams and Don McCullin.Together, these works frame landscape as a charged territory between beauty and brutality, serenity and sorrow—between heaven and hell. This session invites participants to reflect on how photographers shape not only our vision of land, but our understanding of humanity itself.