藝術家與攝影師對談系列十四：“Seen Unseen” — 陳一云與尹子聰對談展

24.2.2024 – 24.3.2024

開幕： 2024年2月24日，星期六，14:30-16:00

藝術家分享會：2024年2月24日，星期六，16:00-17:30

藝術家：陳一云、尹子聰

主持：楊德銘

地點：光影作坊｜九龍石硤尾白田街30號賽馬會創意藝術中心L2-02

開放時間：星期二至日 11:00-13:00, 14:00-18:00，逢星期一休館（公眾假期除外）

Artist and Photographer Conversation Series XIV: “Seen Unseen” — A Conversation Exhibition by Amy Chan & Simon Wan

24.2.2024 – 24.3.2024

Opening Reception: 2024.2.24, Saturday, 14:30-16:00

Artist Sharing Session: 2024.2.24, Saturday, 16:00-17:30

Artists: Amy Chan, Simon Wan

Host: Paul Yeung

Venue: Lumenvisum | L2-02, JCCAC, 30 Pak Tin Street, Shek Kip Mei, Kowloon

Opening Hours： Tuesday to Sunday, 11:00-13:00, 14:00-18:00, Closed on Mondays (except Public Holiday)

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城市大街小巷的1分鐘光影聲音記錄，被帶到第二現場重新建構、呈現和詮釋。陳一云、尹子聰倒想向大家一問：「你看到什麼看不見的？」

We see what we wanna see

We believe what we wanna believe

At the end of the day

Everyone tells a different story

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尹子聰:

尹、字「子聰」、號「西門」，生於伊利沙伯醫院、原籍九龍西。於 2000 年畢業於威爾斯大學，獲得紀實攝影學位，並於 2018 年獲得貝爾法斯特阿爾斯特大學攝影碩士學位。他曾在多個機構任教；現為香港藝術學院講師及學科主任（攝影）。 Simon也創立了藝術空間“The Photocrafters”，致力於推動當地攝影教育。

受到大自然的啟發，他的實踐將攝影與藝術行為結合起來，通常需要耐力活動，如登山和皮划艇，以解決人與自然的關係，探索人類存在的意義。代表作包括2008年的《城市亮》、2015年的《107無人島》、2018年的《山的另一邊》、2019年的《尋找非尋找》，以及他始於2003年，正在進行的十年一次項目《攀登香港的每一座山》。

尹氏作品在國際上受到關注，並被許多本地和國際私人收藏家和機構收購。

Simon Wan:

Simon Wan graduated from the University of Wales with a degree in Documentary Photography in 2000 and an MFA in photography from the Ulster University of Belfast in 2018. He had been teaching at various institutions; he is currently a lecturer and subject coordinator (photography) at the Hong Kong Art School. Simon also founded the art space – “The Photocrafters” dedicated to promoting local photography education.

Inspired by nature, his practice combines photography with artistic acts, typically demanding endurance activities such as mountain climbing and kayaking, to address the relationship between human and nature and explores the meaning of human existence. Signature work included – “City Glow” 2008, “107 No Man Islands” 2015, “The other side of the mountain” 2018, “Searching through non-searching” 2019, and his ongoing decennial project “Climb every mountain in HK’ which began in 2003.

Wan’s works have been featured internationally and acquired by many local and international private collectors and institutes.

陳一云:

從事光影藝術及劇場創作，主力探索光之音樂性、表演性及劇場性。個人主要創作包括光影裝置劇場《界•面》、《與物俱增》、《病理誌》及《Memento Mori: Sonata for Light》。

近年活躍於跨界合作光影藝術創作，曾和視覺藝術家鮑藹倫、伍韶勁、鋼琴家張緯晴、作曲家上野健及香港舞蹈團等合作，參與M+與巴塞爾藝術展共同呈獻製作、新視野藝術節、大館操場音樂節等項目。亦曾為香港雙年展2003得獎作品暨香港藝術館藏品《有棵沒人種的樹》創作燈光。

香港演藝學院藝術碩士（優異），主修燈光。研究成果常發表於國際藝術期刋及會議，亦曾獲德國柏林藝術學院及布拉格四年展邀請擔任燈光專題講者。

Amy Chan:

Light and theatre artist, exploring the in-betweens of light-music, theatre-installation, and arts-medicine. Her major works include light installation-performance Inter-Face, Things That Talk, Morbid Anatomy, and Memento Mori: Sonata for Light.

She is active in cross-disciplinary light collaboration, working with celebrated artists, composers, musicians and companies including Ellen Pau, Kingsley Ng, Rachel Cheung, Ken Ueno and Hong Kong Dance Company, in various productions such as co-presentation by M+ and Art Basel, New Vision Arts Festival and Tai Kwun Prison Yard Festival among others. She designed lighting for the installation A Tree to be Found, the award-winner of Hong Kong Arts Biennial 2003 and a collection of Hong Kong Museum of Art.

Amy graduated from Hong Kong Academy for Performing Arts with a Master of Fine Arts (with distinction), major in lighting design. Her artistic research was published in international peer-reviewed journals, conferences and local theatre publications. She was the invited speaker on performance lighting in Akademie der Künste of Berlin, Germany and Prague Quadrennial in Czech Republic.