南灣小築 ⎪ ReCreation

船到橋頭生活節 Inter-Island Festival

Peng Chau Tung Wan Beach

坪洲 Peng Chau

Are you looking for activities happening on Peng Chau? Here you go!

漂浮生活 | Floating Lives

離島海上和岸邊，一直為不少社羣和物種的棲所。他們順從海洋的潮汐與波濤，找到與海共存的之道。
Pay attention to the communities of the inter-island area who, living above the sea or by its side, have developed specific ways of being and sensitivities that tight them to the elements.

<h1></h1><h1>南灣小築  </h1><p></p><p>〈南灣小築〉以風吹雨打的坪洲漁民小屋為靈感，用手造紙和竹架製作裝置，大小與建於坪洲南灣石上、數年前被颱風摧毁的石屋相約。藝術家會在裝置內部繪畫；當裝置在夜間彷如一個花燈亮起時，繪畫會在裝置上顯現。</p><p></p><p>在生活節的首兩個週末，裝置的製作會以表演的方式進行，而裝置成品則會在生活節第三個週末起展出。而生活節開始前，數場公眾活動會舉行，以準備製作紙的纖維。手造紙會以西方技藝製作，當中包含由島上居民捐出的綿和麻為材料。在生活節首兩週的手造紙製作和表演時，藝術家團隊會在東灣海中架起大型紙框，再在框上倒上木漿，然後將框拿起，直接在框上將紙晾乾。</p><p></p><h3>活動詳情：</h3><ul><li><strong>語言：</strong>英語</li><li>參加者必須穿著水鞋，保護足部，同時小心石頭濕滑。參加者會合力將製作紙的框拿穩，讓藝術家在框上倒上木漿，然後再拿到岸上晾乾。四個框由0.5 x 1.2m to 1.2 x 1.2m不等，較為輕身，但亦請參加者小心。如島上居民有興趣參加，亦可先與藝術家一同製作小型紙張，熟習製作流程。</li></ul><p></p><h3>主持簡介：</h3><p>伊麗莎的版畫、繪畫和裝置由承載著意義的材料開始——被颱風摧毀的樹木或軍服製成的紙張、以骨頭和鉛提取的顏料，並經常融入建築元素。她在美國明尼蘇達大學獲得繪畫學士學位，曾獲香格里拉中國探險學會、檳城馬來西亞理科大學和巴塞羅那格拉巴特的獎助或駐留資格。伊麗莎自2006年起在香港旅居及工作，她現於賽馬會創意藝術中心開設工作室EBriel Studio。</p><p></p><p></p><p></p><h1>ReCreation</h1><p></p><p>&#x27;ReCreation&#x27; will be an installation of handmade paper supported by a bamboo structure, inspired by the precariousness of a fisherman’s hut on Peng Chau. The dimensions of the installation will delineate and approximately reproduce the boundaries of a small structure that once perched on the rocks of Nam Wan (南灣), Peng Chau. The artist will paint designs on the interior of the paper, and at night the final installation will be lit from within like a large lantern, revealing designs once the light is activated.</p><p>Register to be part of the artwork&#x27;s creation!</p><p>The artwork’s creation will take place as a series of performances in Tung Wan during the festival on the first two weekends, and the complete artwork will be revealed to the public on the festival’s final two weekends. Paper will be made western-style from cotton and linen, incorporating waste textiles donated by islanders as part of its production. To create each sheet of paper, the artist and volunteers will enact a brief performance where they float the large [up to 120 x 120cm] paper screens in the sea, pour paper pulp into the screen, remove it from the water and dry the paper directly on the screen.</p><p></p><h3>Activity details:</h3><ul><li><strong>Language:</strong> English</li><li><strong>Note: </strong>For papermaking in the sea, volunteers must wear water shoes to protect their feet. Rocks can be slippery. Will involve holding the paper screen steady on top of the water as the artist pours and spreads pulp over the paper screen, then lifting to shore and prop against the wall to dry. There will be 4+ screens of varying sizes per session, ranging from 0.5 x 1.2m to 1.2 x 1.2m wide. Screens are lightweight but will want to handle with reasonable care. Interested islander volunteers are welcome to try a session of small scale papermaking with the artist first to get comfortable with the process.</li></ul><p></p><h3><strong>About the artist:</strong></h3><p>Elizabeth Briel’s prints, paintings and installations begin with materials imbued with meaning – papers made of military uniforms or trees devastated by a typhoon, paints extracted from bone and lead – and frequently incorporate architectural elements. She received a BFA in Painting from the University of Minnesota and has been awarded fellowships and residencies from China Exploration and Research Society, Universiti Sains Malaysia, and Grabart (Barcelona). Briel has lived, worked and travelled in Hong Kong since 2006, where she runs EBriel Studio in Jockey Club Creative Arts Centre (JCCAC).</p><p></p>

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南灣小築 ⎪ ReCreation

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南灣小築 ⎪ ReCreation

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