《港故仔︰香港漫畫巡迴展覽》@香港站

OUAT, Hong Kong Comics Touring Exhibition @Hong Kong

日期Date：09.08-03.09.2019

地點Venue：香港藝術中心 Hong Kong Arts Centre

免費入場Free Admission

詳情請前往More details at：https://www.hkac.org.hk/calendar_detail/?u=Tt5Di_Cjbt0

「擔定櫈仔睇故仔！」

《港故仔：香港漫畫巡迴展覽》今年一月於法國安古蘭展出後，第二階段於8月回歸香港藝術中心，展出參與第一階段的五位香港漫畫家及兩位漫畫界專業人士的劇情漫畫創作。此外，亦會邀請兩位海外漫畫家及兩位漫畫界專業人士來港進行連串交流活動，今年特別新增公開徵集劇情漫畫構思，供海外專業人士品評；另有版權法和授權相關課程予公眾參與，助本地人才裝備自己，踏上漫畫「講故路」！最後, 參展的香港漫畫家及漫畫界專業人士亦會以第一階段的參與, 創作一份作品作回應，實行「有圖有真相」，將今趟赴法交流的起承轉合呈現於香港觀眾眼前！

一於齊齊「擔定櫈仔」，看漫畫家「港故仔」！

“Once upon a time, once upon a comics!”

The first phase of OUAT, Hong Kong Comics Touring Exhibition was held successfully in the 46th Angoulême International Comics Festival in France. In August, the second phase of OUAT, will return to HKAC, showcasing drama comics creations of the five Hong Kong comics artists and two comics professionals who participated in the first phase. Two overseas comics artists and two comics professionals will also be invited to Hong Kong for exchange activities too. In addition, there will also be a call for proposals of drama comics from the public for the overseas professionals to comment on. Talks on copyright law and rights licensing will also be offered to the public, helping local talents to better equip themselves for their “story-telling journey” ahead!

Last but not least, as “seeing is believing”, the participating Hong Kong comics artists and the comics professionals will jointly create a comic piece as a feedback, presenting their experience in Angoulême to the audience in Hong Kong!

Let’s grab our seats and see how comics artists tell the stories of Hong Kong!

大師睇睇，有計仔！ The Master’s Touch!

劇情漫畫徵集及作品點評 Open-call for Drama Comics Proposal and Comics Critique

劇情漫畫作品徵集

報名截止日期︰15.07.2019

作品提交日期︰15.06-31.07.2019

海外漫畫界專業人士作品點評

日期：18.08.2019（日）

時間︰1530-1800

海外漫畫界專業人士︰

Thomas GABISON（法國Actes Sud BD總監）

Sébastien GNAEDIG（法國Futuropolis總編輯）

法語主講，粵語傳譯

免費

名額︰20

Open-call for Drama Comics Proposal

Application Deadline: 15.07.2019

Proposal Submission: 15.06-31.07.2019

Comics Critique by Overseas Comics Professionals

Date: 18.08.2019 (SUN)

Time : 1530-1800

Overseas Comics Professionals:

Thomas GABISON (Director of Collection Actes Sud BD）

Sébastien GNAEDIG (Editor-in-Chief of Futuropolis)

Conducted in French with Cantonese interpretation

Free of Charge

Quota: 20

平日畫埋畫埋，諗埋諗埋，唔知有無人明或欣賞嘅故仔，不如交俾大師睇睇！作故仔，要做到合情合理，高潮迭起，又耐人尋味，或者你會同身邊人傾，踫撞吓火花，集思廣益。如果依然卡住，不如聽聽來自不同背景漫畫專業人士的意見，轉個念頭，在畫風、情節、選材等取得新靈感，完善作品，甚至試探吓自己嘅故仔在歐洲市場的潛力。

香港藝術中心於6月15至7月31日公開徵集劇情漫畫計劃書，無論係漫畫草圖、劇本構思甚至已經喺香港出版而未授權其他地區的劇情漫畫作品都歡迎！今次邀請兩位擅於劇情漫畫的資深法國漫畫編輯、出版人幫大家睇睇你哋嘅計劃書，他們來自著重實驗性而又看重漫畫家創作野心的法國出版社，有多部作品贏得國際漫畫獎項。

兩位大師會喺云云計劃書中挑選20個作品，8月中旬來港出席《港故仔︰香港漫畫巡迴展覽》時，會同入選嘅創作人單對單面談，夾下計仔！分分鐘就此成就驚世大作！機會難得，而且費用全免。7月15日就截止交報名表，報名後於7月31日或之前交計劃書。快啲準備好計劃書，記住唔好漏咗收埋喺櫃桶底、床下底、書枱底收埋啲好嘢呀！

Not knowing whether readers would understand or appreciate all the drawn up and deliberated stories at hand? Why not show them to the masters!We all go to our friends for brainstorming ideas that turn the working story into a reasonable, exciting and fascinating one. And if you are still feeling stuck, why not hear from comics professional of different backgrounds? With new thoughts come new inspirations in styles, plots and materials that can enhance your work, you may even see for the work’s potential to European readers!

HKAC is launching an open-call for drama comics proposal from 15 June to 31 July, comics drafts, plot ideas, even drama comics already published in Hong Kong but have not licensed to be published abroad are all welcomed! Our guests this time are two veteran French comics editors and publishers who have very strong background in drama comics. They come from French publishing houses that value experimentation and the comics artists’ creative ambitions. Many of their published works won numerous international awards.

The two masters will choose 20 works among the submitted projects and come to talk one-on-one, face-to-face with the selected artists in Hong Kong this mid-August when they attend the OUAT, Hong Kong Comics Touring Exhibition! Who knows, it may kick off something really big!

Rare is the chance and it’s even free-of-charge. Register before 15 July and submit your proposals on or before 31 July. Get them ready! Go check everywhere, delve deep into the forgotten piles, retrieve your hidden gems!

Thomas GABISON

Actes Sud BD總監（法國）

1974年在法國出生，Thomas Gabison 於巴黎修畢平面設計及環境模式研究生課程。在2003年，憑著他在出版社Actes Sud junior平面設計師的工作及在漫畫書零售累積的經驗，他接受了俄羅斯文學及社會政治文章出版商Michel Parfenov的邀請，在以文學出版而聞名的Actes Sud建立漫畫分支Actes Sud BD。Thomas專注漫畫出版之外，他對劇場創作亦特別感興趣，所以也嘗試把劇場及漫畫相連，設計多本劇場舞臺設計及演員指導為題材的圖書，如《50 ans au théâtre du Soleil d’Ariane Mnouchkine》及《Le corps en mouvement de Jacques Lecoq》等。

Director of Collection Actes Sud BD (France)

Born in 1974 in France, Thomas Gabison pursued his studies in graphic design and environment mode in Paris. In 2003, with the solid experience as a bookseller specialised in comics and as freelance graphic designer for Actes Sud junior, he accepted Michel Parfenov’s (publisher of Russian literature and socio-political essays) offer, and contribute to the creation of a comic division at Actes Sud, a renowned publishing house that embraces all forms of literature. Alongside with his career as a publisher, he continues his other profession as a graphic designer with a special interest in the field of theater. He designed several beautiful books dedicated to staging and directing of actors── 50 years at Ariane Mnouchkine's Théâtre du Soleil and The Body in Motion of Jacques Lecoq. He has established an enduring connection between theatre and comics.

Actes Sud BD

2005年，Actes Sud BD推出首部漫畫書──意大利漫畫家Gipi的《Notes pour une histoire de guerre》，本書翌年於法國安古蘭國際漫畫節奪得最佳漫畫獎，雖然是由以小說出版為主導的公司所成立的漫畫分部，Actes Sud BD亦得到漫畫業界的肯定。

Actes Sud BD重質不重量，平均每年出版四至五本漫畫書，沒有優秀的作品，編輯部會選擇不出版新書。編劇與漫畫家四手聯寫的創作不常有，但此類佳作仍然叫人期待。Actes Sud BD較常與全職創作人合作，平均以四年的時間完成一部作品。

Actes Sud BD編輯部是建築工程師，出版的書猶如堅實的磚塊，一塊疊一塊的建造大屋。有時候Actes Sud BD會跟其他出版單位合作，為大屋擴建花園，嘗試更多元的漫畫創作。

In 2005, Actes Sud BD has published the first comic, Notes for a War Story by Italian comics artist Gipi, which has won the Prize for Best Album at the Angoulême International Comics Festival a year after its publication. As a signature of Actes Sud’s editorial line of contemporary novels, Actes Sud BD has garnered a notable reputation as contemporary comics publisher.

Striking for quality over quantity, on average between four to five comics are published per annual by Actes Sud BD. If there ain’t any distinguished books that are fit for publishing, the publisher would prefer not to publish any. Collaboration between scriptwriter and illustrator is hard to come by, as if they are coauthoring a creation in a way of writing with four hands. Actes Sud BD work with sophisticated full-time authors who dedicate on average of four years of writing to completion.

Rome wasn’t built in a day ,the editorial line of Actes Sud BD as the architectural engineer of the publishing house they are building , each published book is a piece of solid brick that consolidate the structure of the house. When Actes Sud BD co-produces a book with other publisher, the publishing house is extended with a garden of experiment that would fascinate the contemporary.

Sébastien GNAEDIG

Futuropolis總編輯（法國）

Sébastien Gnaedig 於1968年出生，於學院修讀出版專業，1990年在法國知名出版社Les Humanoïdes Associés工作，1992年任職巴黎漫畫出版社Delcourt製作經理。其後再次回歸Les Humanoïdes Associés擔任編輯，為多位著名漫畫家出版，包括Enki Bilal、Dupuy and Berberian、Mathieu Lauffray and Xavier Dorison 及Cecil。1998年成為Les Humanoïdes Associés的總監。2000年，Sébastien轉投Dupuis出版社，開創成人漫畫系列－－Aire Libre Collection，與漫畫家Jean-Pierre Gibrat、Blutch及Emmanuel Guibert合作。2004年，Futuropolis出版社負責人Antoine Gallimard力邀Sébastien出任總編輯，期望為該社帶來新景象。Sébastien重整旗鼓，羅致了多位舉足輕重的漫畫家︰David B、Étienne Davodeau、Jean-Michel Rabaté、Brunschwig及Hirn。2005年，Sébastien與漫畫家Nicolas de Crécy及法國羅浮宮出版部的Fabrice Douar合作，出版羅浮宮漫畫計劃的作品。

Sébastien專注編輯及出版，同時也是創作人，著有五部漫畫書，包括《Profession du père》及改編自法國作家Sorj Chalandon小說的漫畫。

Editor-in-Chief of Futuropolis (France)

Sébastien Gnaedig is born in 1968. With his academic study background of publishing, Sébastien joined Les Humanoïdes Associés and worked for the production in 1990. He became the production manager of Delcourt editions in 1992 before returning to the Humanoïdes Associés as editor. He works with many remarkable comics artists, e.g. Enki Bilal, Dupuy and Berberian, Mathieu Lauffray and Xavier Dorison, Cecil. In 1998, he became the director of Humanoïdes Associés. In 2000, he joined Éditions Dupuis BD to develop an adult sector, the Aire Libre Collection, artists involved are Jean-Pierre Gibrat, Blutch and Emmanuel Guibert. In 2004, Antoine Gallimard proposed Sébastien Gnaedig to take the role as the editorial director, in order to restore the publishing brand－Futuropolis. He revived the publishing house with some faithful authors: David B, Étienne Davodeau, Rabaté, Brunschwig and Hirn. In 2005 he published the Louvre BD collection with Nicolas de Crécy in collaboration with Fabrice Douar of the museum’s publication department. Sébastien Gnaedig is also the author of five comics books, including Profession du père, the adaptation of Sorj Chalandon's novel.

Futuropolis

給所有愛書人的漫畫書。

Étienne Robial 及Florence Cestac 於1974年創立了Futuropolis出版社，後與Éditions Gallimard出版集團合併，致力為具資歷的漫畫家及有潛質的新晉提供一個編輯自主的發揮空間，銳意為漫畫發展揭開新一頁。

儘管兩位創辦人的淡出使Futuropolis暫緩發展，但Futuropolis的出現令業界泛起了漣漪，刺激創辦獨立出版社的風氣，如L’Association, Cornélius and Ego comme X等相繼成立。

2005年，Futuropolis破舊立新，主張力推作品的原創性，突破既定風格框框，扶持成熟及新秀的創作者，令有才華的漫畫家保持創作慾望，持續地發展出具野心的嶄新項目。

至2019年，Futuropolis出版的著作突破500部。未來將繼續陪伴創作者們，以書籍的形式呈現他們創意的多樣性。

Comics books for all the book lovers.

Étienne Robial and Florence Cestac founded the Futuropolis Editions in 1974, first alone and later with Éditions Gallimard, offering both established and new talented authors an arena of editorial freedom that opens comics to a new language.

Their departure marks a pause in the activity of Futuropolis, while this editorial venture has an important echo in the creation of many independent publishing houses such as L’Association, Cornélius and Ego comme X.

In 2005, Futuropolis turned a new page and continue to prioritise the authenticity and originality of the publications, free from stylistic constraint and preconception, with the genuine desire to support both established authors and young talents, with an eligible, ambitious and renewed programme in a manner that matches reader’s tastes with the creations.

In 2019, with more than 500 titles published, Futuropolis continues to aptly support the ideas and approach of authors whose art form is a reflection of the diversity of the comics world.